|
Selected SFMI project experience in the areas of audio recording studio, film sound stages, radio studios and television and video editing facilities are linked to this page by the buttons at left.
Further television facility experience can be found on our Civic Center and Sports pages.
Common facilities designs skills provided by SFMI to Studio and Production Spaces include:
- Acoustics, including
- Room acoustics,
- HVAC noise control and
- Sound Isolation
- Facility programming design
- Television Lighting.
SFMI can also design the video and audio distribution and switching facilities needed by contemporary studio environments. SFMI has designed Video and Audio transmission and
distribution systems incorporating the following range of technologies to a meet a range of client objectives, including:
- Network Contribution Quality
- Commercial Emission Quality
- Wideband graphics Quality
- Surveillance/Paging Quality
Specific systems designs have included the following range of diverse transports.
- Short Haul Video
- Narrow Band/Wideband Camera Triax.
- Composite NTSC on coax to RS-250C Short Haul Standards
- Composite NTSC on fiber to RS-250C Short Haul Standards
- Composite NTSC on fiber, surveillance grade.
- Composite NTSC on CAT5, surveillance grade.
- Component NTSC on coax in RGB, Y/C, BetaCam and MII formats.
- Component wideband (120 MHz) R,G,B,Sync on coax.
- Serial digital video on coax.
- Short Haul Audio
- Analog on shielded twisted pair.
- AES/EBU Digital on 110 ohm shielded twisted pair.
- AES/EBU Digital on 75 ohm coax.
- Medium Haul Video
- Composite NTSC on fiber to RS-250C Short Haul Standards
- Serial digital video on fiber.
- Broadband video on coax
- Forward only;
- Bidirectional sub split;
- Bidirectional mid split.
- Broadband video on hybrid fiber/coax to CATV standards.
- Forward only;
- Bidirectional sub split;
- Bidirectional wideband.
- Medium Hall Audio
- Baseband analog on unconditioned dry pairs; conditioned to Class AAA (15 kHz) program lines, mono and stereo phase matched.
- Analog via CobraNet encoding (isosynchronous Ethernet) on 100 Base TX or 100 Base FX.
- AES/EBU via CobraNet encoding (isosynchronous Ethernet) on 100 Base TX or 100 Base FX.
- Monaural analog on broadband video.
- BTSC Stereo-analog on broadband video.
- Long Haul Video
- H.320 encoding on fractional T-1.
- MPEG-2 encoding on full T-1.
- Long Haul Audio
- Baseband analog on Common Carrier program lines, conditioned to conditioned to Class AA (8 kHz) mono through Class AAA (15 kHz) phase matched stereo.
- Mono and stereo analog MPEG-2 encoded on ISDN 2B+D.
- Multichannel analog on fiber.
- Mono analog MPEG-2 encoded on full T-1 with video.
|
